The Lone Star Lutheran (Seguin, Tex.), Vol. 28, No. 4, Ed. 1 Tuesday, January 21, 1947 Page: 4 of 4
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Tuesday, January 21, 1947
Page Four
The Lone Star Lutheran,
Final Examination Schedule, Fall Semester, 1946-1947
8:00—10:00
English 223
Engineering 113
Education 113(1)
Bus. Ad. 116(A)
Bible 113
Biology 114
Sec. 1
Sec. 2
Bus. Ad. 114
Phys. Ed. 113
Bible 243
History 213
Bus. Ad. 214
Chemistry 214
Education 213
History 113
10:00—12:00
Wednesday, January 29, 1947
Greek 114
Education 113 (2)
Bible 143
Economics 213
Thursday, January 30, 1947
Spanish A
German A
Physics 114
Pub. Sch. Mus. 113
Friday, January 31, 1947
Pub. Sp. 113
Mathematics 113
Bible 133
German 113
Saturday, February 1, 1947
Biology 214
Spanish 113
Mathematics 214
Bus. Ad. 116(B)
1:30—3:30
English 113
All Sections
Government 213
Mathematics 133
Sec. 1
Sec. 2
Sec. 3
Sec. 4
Chemistry 114
Sec. 1
Sec. 2
Dedication
(Continued from page 1)
nace and the attic fan. The house
is built primarily for the nine
warm months and a large, plate
glass window in the dining room
gives a perfect view and plenty of
light.
The kitchen always provides
new ideas and the Wiederaenders’
kitchen is no exception. Work
space has been scaled to Mrs.
Wiederaenders’ 5’ 5”. A 32” level
is easier for stirring, a 34” level
makes other work simple, and
the sink at 36” from the floor
makes dishwashing comfortable.
One typical idea is a small cabi-
net just made for spices; another
holds breakfast foods.
Storage space is easily had in
this new home. Over 100 square
feet of closet space can be found
in the attic and innumerable large
closets are handy throughout the
house. Canned foods can be stored
in the large pantry or in the stor-
age cellar. Incidentally, some TLC
students helped to dig the hole.)
The children have their own
make-believe world in the attic
playroom which will be decorated
with gay senoritas on the jonquil
yellow walls.
Except for a few cabinet doors,
landscaping, and posts to support
the porch roof, the house appears
complete, but Dr. Wiederaenders
estimates that it will take him 20
years to really finish his home.
The most that I can do for my
friend is simply to be a friend.—•
Thoreau.
H. Krezdorn & Son
JEWELERS
AND OPTOMETRISTS
Where You Know the Quality
Leon Studio
PORTRAITS
KODAK FINISHING
FRAMES
111 W. Gonzales Phone 19
I' J :
} ¥
“Everything Automotive”
Day or Night - Phone 100
HOME OF WHITE STRIPE TAXI
and
SEGUIN TRANSIT COMPANY
S-F Council Meets
Recent topics of discussion at
the Student-Faculty Council meet-
ing were representation for the
Veteran’s Organization, progress
of the snack bar, improper light-
ing in the classrooms, and the pre-
vailing atmosphere in the dining
hall.
All examinations will be given in classrooms where courses are taught. For courses in which
examinations for all sections are given at the same hour the instructor will announce room assign-
ments.
THE HOME OF VALUES
WHITE STAR
J. C. Penney Co.
LAUNDRY
204 So. Austin Seguin, Tex.
We Do It
BETTER — CHEAPER —
QUICKER
CITY CLEANERS
And Guarantee It
“A New Method of Cleaning”
206 S. Austin St. Phone 89
See Bruno Gaskamp for
Phone 73
Pickup and Delivery
SEGUIN
FOR ANYTHING IN
PRINTING
STATE BANK
Cards and Stationery
Printed and Engraved
A Specialty
Gazette - Bulletin
AND TRUST CO.
Publishing
Company
Publishers
Member Federal Reserve
THE GAZETTE-BULLETIN
System and F. D, I. C.
214 N. Camp Tel. 133
We Print
The Lone Star Lutheran
TOPS IN WAX—Stan Kenton
and Harry James both share
honors for the current outstand-
ing albums.
KENTON:
Artistry In
Rhythm.
JAMES: All
Time Favor-
ites. In Stan’s
album of four
10-inch discs,
he climaxes
over five years
Eddie Safranski Qf effort to
albumize his distinctive and
original music. He offers eight
sterling sides, all originals,
never before recorded and each
based upon his Artistry Theme.
Among the titles he features
famous Kenton sidemen —
Safranski, written for the bass-
ist and rhythmic spark-plug of
the band, Eddie Safranski;
Artistry In Percussion, features
his new drumming sensation,
Shelly Manne (of the pre-war
Bobby Byrne band); Fantasy—•
with solos by Vido Musso,
tenor, and Boots Mussulli, alto;
and a bit of Debussy in Willow
Weep For Me — some choice
warbling by June Christy and
trom’coning by Kai Winding
Capitol). The James album in-
cludes these scarce collector’s
terns — Concerto For Trumpet,
Slight Of The Bumble Bee, and
One and Two O’Clock Jumps.
The balance of the eight sides
include such as Sleepy Lagoon
and You Made Me Love You.
All discs are selected ffbm the
great James productions that
stand as milestones marking his
climb to fame (Columbia).
DANCfc — Dance records this
month fall into a relaxed vein
with Tex Beneke and The Mil-
ler band lead-
ing off with
the immortal
Carmichael
opus — Star-
dust, and
backing it with
Falling
Leaves. Both
instrumentals
receive the
Tex Beneke same arrang-
ing care that Tex consistently
uses to capture the attention of
audiences and record buyers,
and retain the same high stand-
ards he has set and maintained
since the inception of the re-
organized band (RCA Victor),
Another Victor offering is their
dynamic star, Desi Arnez, who
with band plays a bolero—I’ll
Never 'Love Again (with Elsa
Miranda vocal), and an instru-
mental, Tia Juana. Gene Krupa,
of the frantic stick-licks, has a
highly listenable pairing ■ in
There Is No Breeze and Aren’t
You Kind Of Glad We Did?
Carolyn Grey sings on both,
and on the latter she is joined
by Buddy Stewart (Columbia).
Capitol’s great staff band, Paul
Weston, pair Matt Dennis in
vocals of So Would I and At
Sundown, a favorite of the
’20’s. Charlie Spivak leaves his
“Sweetest Trumpet” in the case
except for a short warm-up,
and the band makes an instru-
mental pairing of Stomping
Room Only and Let’s Go Home
(RCA Victor).
VOCAL STANDOUTS-Bing Cros-
by, with backing supplied by
John Scott Trotter and band,
sings Anniversary Waltz and
Yours Is My Heart Alone
(Decca). In a lighter vein, the
King Cole Trio, with Nat Cole
at piano and vocals, make one
of their typicals—It’s The Be-
ginning Of The End and But,
She’s My Buddy’s Chick (Capi-
tol). Dinah Shore has one of
the best of: A Rainy Night In
Rio, reversed with Through A
Thousand Dreams a" ' imbia).
JAZZ FOR COLLECTORS— Blue
Note, the famous label of the
Chicago and New Orleans styles,
makes an en-'
try into fran-
tic'modernism
with Tiny
Grimes and
S w i n g t e t .
Tiny, always a
great guitarist,
finds some ex-
cellent show-
casing in the
Tiny Grimes two-sided 10-
inch Flying Home, and in an-
other 10-incher released at the
same time: Tiny’s Boogie
Woogie backed with “C” Jam
Blues. He uses “Trummie”
Young, tram; John Hardee,
tenor; Marlowe Morris, piano;
Jimmy Butts, bass and Eddie
Nichelson, drums. “Trummie’s”
tram stands out, so does the
Grimes guitar. Hardee's tenor
gets raucous in its exhibitionism
and several ragged spots in the
ensemble appear during the ex-
citement. The tempo on all four
sides is fundamentally the
sarpe, it still gets a lashing into
pressure which causes bobbles
and rushing, noticeable at the
drums and piano—which dis-
concerts. Those who like rhythm
and licks from melodic instru-
ments instead of great tone pro-
duction, may enjoy these.
NEW AND WORTHY
IMPRESSIONS IN WAX
LIFE CAN BE BEAUTIFUL-Vaughn
Monroe, dance (RCA Victor)
THAT'S MY DESIRE-Frankie Lane
and Manny Klein Orch., vocal
(Mercury)
OH, BUT I DO—Harry James,
dance (Columbia)
HADDA BROOKS BOOGIE-Piano
Boogie Album (Modern Music)
“He’s been from kindergarten through college twice, but re-
fuses to graduate9til his Reynolds Rocket pen needs refillingl"
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The Lone Star Lutheran (Seguin, Tex.), Vol. 28, No. 4, Ed. 1 Tuesday, January 21, 1947, newspaper, January 21, 1947; Seguin, Texas. (https://texashistory.unt.edu/ark:/67531/metapth850425/m1/4/?q=Lamar+University: accessed June 6, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu; crediting Texas Lutheran University.