The Baytown Sun (Baytown, Tex.), Vol. 56, No. 111, Ed. 1 Thursday, February 16, 1978 Page: 3 of 18
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" \ • v. THE BAYTOWN SUN Thursday, February U, U7I 3-A
TONY LAMA '
TORTUS
ALSO CHOOSE FROM1
BULLHIDE
CANE
ANTELOPE
ELEPHANT
AND MORE
mB/IiVm
All that tasty food,
along with the$1.99
-A, price- makes this
This very special catch
includes: • 12 perfectly
delicious golden mini ^
offer a perfect
of crisp, hot chips
• Satisfying H. Salt
hush ptippies _
• Crisp, cool cole sla
I reason to visit
■I H. Salt soon.
" Offer good only
through March 15th.
«f I. Mir
Head* )%
N421. Pvt mi.
14123-MO EiST-HODSION 1-225 IT TATI1-PAS1DBU
KK 4 MEEK_
/ ALL MV LIFE I'VE
BEEAJ LOOfCkXS FOR AJO
OCD-FtoHlQutD GIRL
.WHO 3T1UL
THAT IT'S A tUOMAJU'S
RDU. IK) 14FE TO WAIT
OfU A MAkJ!
by Howie Schneider
f WELL, ITU-WAkS TO 86
30M6OUE eoe' 7HI5 ISAJT
MV STATTOJ!
Photography Vs. Images? Casey His Own
call a photograph
Bv IRVING DKSKOR
AP NrwrtMtum instead of an image1 It seems
Cjsejr Alts i* a professional'so simple,
photographer who started - But the simple, direct way
teachmt photography at New doesn't appeal to everybody. To
^alon
ItAin care
FOR HIS and HEI
(FORMERLY EONA.S SALON OF BEAUTY)
NOW LOCATED AT ^
1313 Sandy Lane & Hwy 146
,'* ...
Baytown
We Now Have 10 Operators To
Serve You Better
PHONE FOR APPOINTMENT
422-3141 or 427-2224
York I'nivernty 25 yean ago
Hr was also director of pbotog
raphy at New York's Central
YWCA for 14 yean And eight
yean ago. Casey took over as
hart of a weekly television
show for WNYC-TY on which
;be interviews people prominent
'in the world of photography
Now Id like you to hear Cp-
isey Allen's provocative ideas
•about "images" vs "photo-
graphs" which he made public
some, whole new vistas of im-
agery were opened up Some
found they could substitute the
photographic process for lack
of talent in drawing or painting
and they could become part of
the exciting, new world of fine
photograph photographs They did
make something as vague or
various as images^
Well, there votffia'
Allen's dissertation on "im
ages." a topic that could start
a nice little controversy at any
photo gab session when there
isn’t anything else vital on the
agenda
a camera columnist for al-
most 30 years. I find the word
arts photograpfiy Just substi- "image" of great use merely
lute the word imSgt1 [0i pho- because it would be mono-
tograph’ and there Wa? nothing
to hold them back
For instance, for a recent
exhibit at the Image Gallery
« some months ago at the Visual ithat word again) in New York,
> Communications Conference at the photographer had • out up
the Inivenity of Maryland His many color photographs into
_ turbid word* startled the au- Ismail pieces, then pasted these
phv Casey Allen had a good
example of what I mean
fers this direct quotation from
ve Casey a publisher's press release for
photographer Gary Wino-
grand's book entitled, "Women
are Beautiful "
Wmogrand has made chaos
clearly visible; he has dis-
ciplined it without breaking its
spirit It is not supremely diffi-
cult to make a clear picture of
a truism, and it is easier still to
tonous and repetitious to use
the word "photograph" or "pic-
ture" every time it must be
mentioned
However, .one ‘ of my pet
peeves is the euphoric fiow of
vague, 'artsy, bombastic, mean-
ingless words which some ex- lt(M”'
hold a mirror up to the maelst-
rom and call it art. But to see
and set down with acuity the
flickering means that illumi-
nate the menagerie we perform
- this is the creative mir-
That, to me, is critic's jargon
leaves me floundering,
dience. pleas**.some and-U|»r bits and pieces togethef again perts use to describe photogra-.,an<( .„ fl 2i
sciuog ochen. hut they sure got in, new and random, Grange-' ' . J ,‘J® |bJJ, |]
attention OK. Casey Attainments This is how he created! BarbS thof he likes?*
__„
jjs-' s. i «“
gram. I began to hear people in think it was an example of pho- 40. you get out last year’s |_.....Anj “l
photography talking about thfir tography. It is not even neoes- ahd doodle on it a bit.
images." It sounded as if ev- sary to start with vour own1 “~
i eryfaody had gone into public original photographs
relation* Then I found out they I don't think the words pho *”• ** *amazing how altrar
person doesn't have to have it!
Once travel time to andlln,nillttd * lnt«P«ried?
from the airport is ealrulat-
By the way, the author of the
quotation is John Sxarkowskl,
director of photography at New
York’s Museum of Modem Art.
My image of Sxarkowski is
clouded by mental fatigue But
next week, we'll get some more
straight talk about photography
by Casey Allen
You
Name It...
We’ll
Frame It!
Jell’s “
Frame Shop
418 F Texes
422 4053
graphs not their personal slat- changeable Image needs aj
us in the community WAGE modifier; photograph doesn't j
became the new catch word to j Is it an electronic imago, a
shiny others you were With at I mental image, a sculptured im-
^ So I looked up the word in j age. a photographic image? To
Webster* New Cotlegiate Die- call, a photograph by Andre
THE BUSINESS f'UMMt - Paul Strand ,or J*1*
NITY is still puz/ling over "IMAGE I A reproduction Ward Weston an image is like
the impact G. William Mil- or imitation ctf a form, person]describing a mangifieent moun-
ter will have on t’.S. mrae-jor thing - a rtatiie. 2a. The op- tain by saying it s cute, These
tary policy' Miller, „Presi- tieal counterpart of an object men used their great talents to
deiit Carter’s choice to head produced by an optical device explore and expand the vision
the Federal Reserve Board, iik-ns mirrbrt or an elec-]of photography. They created
is expected to hold an easier ,ronif ^ice b A )lkenfss o(.U—
rein on the nation's money Jf) objefl pr(xju,^ on pho,f>.j
aasi1**-*•»"
— * likeness. >Ood created man in
his own image* b A person
35 HOURS NOT Ml'tH sinkinclv like another ihe is
PHILADELPHIA (AP) - - (he image of his father) 4;j A
Coach Dick1 Vermeil of the tangible or visible representa-
Philadelphia Eagles says his Ilun <he K tht, ,„m. ol fiUal
There are no atheists
omong pedestrians caught
half way across the f reeway-
Yes, Gwendolyn, you
might call a detective look-
ing for marijuana a pot
wateher.
job boils down to about 35 <|evotion». 5a A mental picture
hours each autumn. iof something not actually
"An artist can hang his work pf,^.nt an impression b A
on a wall and people will viewj,.(rtlrep( beld in common bv a
it,any hour of any day," Ver- group
meil said. "A writer's work can 'ibafs a jm of images
be read over and over. -But in TfM,n | kxiked up the defini-
the football coaching business ,|im ph(jt<zgraPh Ibe noun is
you are judged by what hap- (j^nbed in seven words:
pens in two-and-one-half hours > - PHOTOGRAPH. A picture
of playing on 14 weekends of Hr likeness obtained bv photog-
the year. The results of all you rap|,v _
have done, or tried to do. are fhat s it No subheads or
out there every Sunday for the mui,^ twicer,?So wh>: not
whole country to evaluate "
THE HOUSTON
PLAY THE ROUGHEST.
TOUGHEST. FIERCEST
FINEST, MOST EXCITING
GAME IN TOWNI
CINCINATTI STINGERS
FRI. FEB. 17-7:30-PdHI.
TICKETS ON SALE NOW AT THE SUMMIT
ALL FOLEY'S TOP TICKET CENTERS. AND
TOP TICKET GREENWAY PALZA
UNDERGROUND. S3.00-S5.50-S8.50-
S10.50
AT THE MA8MFICENT SUMMIT IN 6HEEHWAY PALZA
^ xnr vnn Tim II
ARE YOU TIED UP WITH THE HIGH PRICE OF BOOTS?
x
THEN COME SEE
COUNTRY BOY BOOTS
AND WE'LL UNTANGLE YOU!
WHAT
A SALE!
RODEO SPECIAL
ALL
REGULAR PRICE V
LIZARDS
REG. s7995 TO s12539 UP
NOW s64°° to ^lOd^op
jxtv H. Sj/f
Special Shrimp Catch:
SHARP, ROUND, & U-T0ES-PATCH TOPS TOO!
TAN BROWN-BLACK BONE-AAAlo EEE UP TO 15's
Tin..- Fri. A Sit. Night
Open till 8:30 p.m.
Open Diily 10:00 to 6:00
Special Purchase
Famous Maker
Misses Co-ordinates
li|.T1.00to 19.00
Pints, skirts, nitcbiif tops...tunics, pssssnts, Monsons in
khaki, na¥y. rai sad Mack. 8 ti II18-M-L.
!' : '
i , - ' / r... '
-t——"—■ L
’. ; L:/ V'y
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Brown, Leon. The Baytown Sun (Baytown, Tex.), Vol. 56, No. 111, Ed. 1 Thursday, February 16, 1978, newspaper, February 16, 1978; Baytown, Texas. (https://texashistory.unt.edu/ark:/67531/metapth1074696/m1/3/?q=%22~1~1%22~1: accessed July 16, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu.; crediting Sterling Municipal Library.