The Ranger (San Antonio, Tex.), Vol. 55, No. 13, Ed. 1 Friday, January 30, 1981 Page: 4 of 8
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earth after an atomic holocaust will be
shown Feb. 25 and 26.
By Martin Delfin
Ranger Fine Arts Editor
T 1 I
Down,” based on
Adams, will show March 4 and 5.
Instead of wizards and mutants, rab-
/
The special events film committee
presented this college with a variety of
films last semester. From science fiction
to modern drama, the film series exposed
students to masterpieces such as
“Cromwell” and “Norma Rae.”
This semester, the film series con-
tinues with a more diversified selection
which promises to be intriguing.
All pictures will be presented at 1:30
p.m. and at 7:30 p.m. Wednesdays and
Thursdays in the Coffeehouse of Loftin
Student Center and in McCreless Hall
small auditorium.
Bob Fosse’s “Cabaret” began the line-
up of the continuing series Jan. 28 and
29.
It is the summer in Berlin, where Liza
Minnelli, an American cabaret singer,
meets Michael York, a young
Englishman. Their relationship develops
under intense pressure in prewar Nazi
Germany.
A French foreign film, "Les Enfants
du Paradis.” (Children of Paradise I. will
be presented Feb. 4 and 5.
The story evolves in Paris in 1840. A
love triangle developes between a mime
and a count's mistress. Afte a brief fling
and some odd years later, the two find
w
are depicted here.
"Wuthering Heights.” the film which
brought the late Merle Oberon to fame,
will be presented Feb. 18 and 19.
Oberon gives a remarkable perfor-
mance as Catherine Earnshaw, a well-to-
do middle-class girl of London. Her
father finds a waif on the streets and br-
ings him home to raise with his own
children. A strong passionate attachment
grows between Catherine and the out-
sider, Heathcliff, played brilliantly by
Laurence Olivier. The movie traces the
story of their continued relationship. captures the joy of a children s fable in
A animated film depicting a fable of "The Magic Flute, a Swedish film to be
populous gray mutants which inhabit the presented April 8 and 9.
It portrays a Pinnochio-type situation
complete with fairy goddesses and all.
"Days of Heavein” a display of love
within a “white trash" family, is schedul-
ed to show April 15 and 16.
A Chicago steelworker with his little
* 1
a hazardous exodus across the English
down in search of a new home.
"Allegro Non Troppo," which
features more animated sequences, will
each other, only to learn with dismay
that each is promised to someone else.
Lillian Gish, Nita Naldi, Bette Davis.
Carole Lombard, Marlene Dietrich and
Jeanette McDonald are featured in
another.
Picture all six of these love goddesses
together in one film. A documentary ac-
count of female sexuality on the
Hollywood scene brought these past
greats and others together in "The Love bits take full force when they embark in
Goddesses."
"The Love Goddesses” will be shown
Feb. 1 1 and 12. Film clips of Bette Davis
in "All About Eve." Ginger Rogers in
"lop Hat, and Mae West in "She be presented March 11 and i2. The 1977
Done Him Wrong are depicted here. Italian film is a multi-media presentation
with animated scenes to accompany
classical music.
The spirit of France is displayed in the
1927 French version of “Napoleon,”
March 25 and 26.
The great French ruler's life is depic-
ted from the opening scene when the
military academy student sings "La
Marseillaise, to the storming across the
Italian border.
Ingmar Bergman, as opposed to his
frosty, mysterious flicks of days past,
captures the joy of a
"The Magic Flute.” a
"Wizards.” the animated fable of ear-
th's purposed future if nuclear annihila-
tion occurs, presents two wizard
brothers, one evil and one good. The
forces of darkness battle the benign sister and girlfriend, posing as an older
„ . sister, immigrate to the Texas panhandle
wizard, Avatar, to a startling outcome. sister, immigrate to the Texas panhandle
Another animated film. "Watership just in time for the wheat harvest. All
the novel by Richard three of them find work on a farm and
the farmer falls in love with the older
girl. Death eventually comes to both her
lovers.
The special events film series con-
cludes the semeser with two great film
classics: “The Grapes of Wrath," April
22 and 23 and “Richard III,” April 29
and 30.
I he Grapes of Wrath is based on
John Steinbeck's Oakie family, the
Joads. During the Depression, faced
with the Oklahoma Dustbow l, the Joads
begin a journey west to the land of for-
tune—California.
"Richard III. starring Sir Laurence
Olivier in an unforgettable performance,
deals with the trials and tribulations of
England in the 16th century.
Olivier portrays the fiendish sinister
Royal Family member desperately trying
to reach the throne of England, although
he is seventh in line.
Films of hope, tragedy, humor and
culture. These are the films selected by
the special events film committee.
f
)
more
Strumming away
Guitarist Don Sanders strums a professional performance
for unattentive Coffeehouse attendants Jan. 21, but his lively
and inventive music received a generous applause.
Hardy performer fails
to capture local interest
By Page Jackson
Ranger Staff Writer
Guitarist Don Sanders opened his
Jan. 21 Coffeehouse performance
with “Friendly Faces,” but his was
about the only friendly face in the
place.
Sanders strummed and sang in an
experienced way, but he seemed to
lack the ability to communicate with
the audience.
He captured the audience’s interest
with the story of his second song
“Southern Coast of France,” about a
traveling musician. Then he lost them
when he began playing.
Sanders' songs ‘‘Mean 01’
Alcohol,” and “Heavy Word User,”
were of a livelier style and showed
better use of words, but the audience
still remained uninterested.
The performance gained a lot more
attention when Sanders played
“Promising Boy,” and a song about
cocaine, “Raging,” on a slide guitar.
The songs were inventive and live-
ly, and the audience rewarded
Sanders with generous applause.
Sanders resumed playing his
acoustic guitar stating, “I’m in the
mood for a little quiet music.” The
crowd immediately began visiting and
soon almost drowned out the perfor-
mance.
Sanders finished with two calypso-
like songs. “Crusin’ ” drew almost no
response, and the finale, “Body
Wants To Sing,” rambled on so long
that people weren’t sure when the
song was over.
Sanders said he has performed for
around 14 years now.
“I got started in the usual ways I
suppose — church choir and all that.
Actually I was too small to play
football, and I couldn’t get any girls,
so I played to get girls,” Sanders said.
His performance was all original
material. Sanders cut two albums and
a single in 1972 and 1974.
“But they were just regional
releases,” Sanders said, “And they
probably never have even been heard
of down here.”
Sanders toured Europe about six
years ago to try to get a new angle on
his career.
“I mainly wanted to get away and
have a chance to concentrate on my
poetry. I’d been an opening act for a
long time and I wanted to be a top
billing,” Sanders said.
Sanders talked a lot about drugs
and hangovers during his act, and his
songs “Raging,” and Mean 01’
Alcohol,’ ’’ discussed the
unpleasant effects of drugs.
“I feel that whenever a song comes
out about drugs, it’s either all pro or
con drug, and I think there are pros
and cons to it so I try to express that
in my songs,” Sanders said.
“It’s really impossible to be in the
music business and not be at least in-
directly involved with drugs or at least
not know anything about them,”
Sanders said.
Sanders is now working on some
musical projects for the future.
“I’m working on a one-man
musical play right now,” he said,
“and I’d really like to do some more
recording. That’s where my interests
really are,” Sanders said.
Domestic, foreign films will provide variety
f
Elizabethan Festival to Feature
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films, dramas, music, lecture
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A 16th century celebration of England
comes to this college as the office of stu-
dent activities sponsors a two-week
Elizabethan Festival Feb. 3-17.
Highlighting the event will be a perfor-
mance of “Richard III” by the National
Shakespeare Company, a touring theater
group from New York. The performance
will be at 8 p.m. Feb. 17 in the
auditorium of McAllister Fine Arts
Center.
in Elizabethan Times: Then and Now”
11 a.m. Feb. 17 in Room 301 of Moody
Learning Center. She will discuss both
social and economic trends of that
period.
During the festival, exhibits of 16th
century manuscripts, costumes and in-
formation about theater in the time of
Shakespeare will be on display in Moody
Learning Center library.
Students, faculty and administration
are invited to help celebrate the
Elizabethan Festival by participating in
the events, Kathy Major, associate direc-
tor of student activities, said.
reserved. companied by soprano Anna Dudley and
Two films depicting the era will be harpsicordist Laurette Goldberg.
Mary, Queen of Scots,” at 1:30 p.m. “Music in the Time of Shakespeare”
and 7:30 p.m. Tuesday in the Cof- will be performed at 8 p.m. Feb. 9 in the
feehouse' of Loftin Student Center, and auditorium at McCreless Hall by the col-
. . ------„.j. “Romeo legp’s Early Music Ensemble.
The ensemble will use instruments of
the period such as recorders, gambas,
clavicords and harpsichords in playing
selected dance music from such noted
dramatic narration by Rella Shakespearean plays as “Henry the VI,”
“Much Ado About Nothing" and “As
You Like It.”
Dr. Anselyn Marshall, chairman^of
sociology, will lead a discussion of “Life
©1
Franco Zefferilli’s 1968 film “1~
and Juliet” at 1:30 and 7:30 p.m. Feb.
10 in the Coffeehouse.
The Elizabethan Trio from San Fran-
cisco will present “The Elizabethan
Lady,” a <’
Admission is by ticket which may be Lossy, at 7:30 p.m. Wednesday in the
picked up in the student activities office auditorium of McAllister Fine Arts
in Loftin Student Center between 8 Center. The production, about great
a.m.-4 p.m. Tickets are free. Seats not women of the 16th century, will be ac-
‘>vi
4 THE RANGER ■ FRIDAY, JANUARY 30, 1981
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San Antonio College. The Ranger (San Antonio, Tex.), Vol. 55, No. 13, Ed. 1 Friday, January 30, 1981, newspaper, January 30, 1981; San Antonio, Texas. (https://texashistory.unt.edu/ark:/67531/metapth1350502/m1/4/: accessed July 5, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu.; crediting San Antonio College.