Denton Record-Chronicle (Denton, Tex.), Vol. 51, No. 222, Ed. 1 Sunday, April 18, 1954 Page: 33 of 44
forty four pages : ill. ; page 21 x 16 in. Digitized from 35 mm. microfilm.View a full description of this newspaper.
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3.
IN ART
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T
1
"The Mary* at the Tomb," by an unidentified
1 5th-century artist of the Ven
School, shows
the
tial
I to
its
rhe
ive-
an-
liar
the
tew
for
rst-
race
der
be-
that tense moment when they were greeted by
the angels with the news that He had risen. The
painting is in the famous Pini Palace in Florence.
ngs
in-
ieir
nts
f of
by Geoffrey C. M. Plampin
Noted art editor and critic
ind
for
ex-
the
ar-
d a
eful
ous
Oth
nec
Cm-
lini
sly.
ary
rith
old-
2
uC •e
ky a
Altobello da Melone, who flour-
ished in the first half of the 16th
century, is famed for his skill in
suggesting verve and move-
moot. He painted Christ and his
disciples mooting on the road to
Emmaus (below). It is in the
National Gallery, London.
’ • - 48og6“4e-
wMs-c''
, A
In "The Resurrection of Christ," Giovanni Bellini
(1428-1516) painted his interpretation of Christ
with His banner of victory above a Renaissance
setting of the tomb. The painting escaped war
damage and is in the Kaiser Friedrich Museum.
AP«M it. 1934 WAANY WMKLY MAOAZIE ■
The mognificent pointing by Peter Paul Rubens (1577-1690) and
THE cOVED, Jan Breughel (1568-1625) shows the touching meeting of the
Risen Savior and Mary Magdalene on Easter morning. It is in the
M. H. De Young Memorial Museum in San Francisco, Calif.
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Denton Record-Chronicle (Denton, Tex.), Vol. 51, No. 222, Ed. 1 Sunday, April 18, 1954, newspaper, April 18, 1954; Denton, Texas. (https://texashistory.unt.edu/ark:/67531/metapth1441801/m1/33/: accessed July 4, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu.; crediting Denton Public Library.