Sherman Daily Democrat (Sherman, Tex.), Vol. 40, No. 107, Ed. 1 Saturday, November 27, 1920 Page: 2 of 8
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Y DEMOCRAT
SATURDAY, NOVEMBER 27
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^oq^Tumblea'
_ ro^warxi Ove**
^JJ#1j$cL -Back. Brims
inter Millinery - Crowns Are
%$&■
>ws
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Low; and Very So
,. ace
-■Veils of
ow Part
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Bwvyn PicUrr e, Kst oC
"Velvet anA Te sUbver^ S>
1IERE tit a softness and
about winter millinery "tKit
very engaging. No harsh angles
are evident anywhere and when
feathers or wlnjp are added by way
of trimming,; |ta<^ ifollpw .thisl R«aerj|b
j Hni of the hat and blend softly. *
~r>r
It. Thua every hat Is a picttira hatj
whether It-ba small or large, and
, expert milliner is also an artist w
«" #HWr,«f,K,*1^ce"rust what TO'
4 hat r will suit her customer's typ.'
fashionable. Some hata today shew
ostrich feathers, one model has coq,
•UtortitV model paradise, still another
rf><!>4el wings. The single hat th{it Is
not fcather-frimmed>had to crevp In-
to ihe}gi(ou$>A "ttbeausie it was too lVtch-
il^r.Jo be ignored—and the noftly'jl'it-
^ering lace veil Is quite as graceful as
U*"w*Hr«ir*' yfbM*, 4'ack
is also an artlat who cRa",;l'y wee and is attached to jthe
Tof paH of-tte trimming: - The lkice
Is adjusted to fall at even lcngthjall
cutKWnd her'sU-hiouettef.* •> x*\mh*<X, down! by
! true artist ia millinery riooa,not ttHi { , , wr Vest collar. It is li^litly
to sell you a hat Just bopftmt'<t in *W ^*ck«d to the brim at either s1(^|bo
expensive model,'or becuuse yonrfanenJi^ no breei^p^jiay wik{!, It
Its color or 4ts lines. She wit:
iUfc#6fC#tik^jB?y9* *vlth an eye
lapy things you do n u
aw'M
of the hat's color to your owil color- s
lng. and of its l^f .tp ,(hj MiosiiDti: iSWMTf Mf #*■ golden glint, too. In the
your figure.
>itii <■!«<'•% *. i ■ ■
AD Ilats Bfroail:
Even without the" T
oU ward
hat ties In
Inx :
i\U
i.TCrft nnlp
peak-brim turban which is madjB of
-"gohf colored panne relvet withv the
tr^Ui.jg fe;uhcr in mustard shnde. Vhls
Is the only "trying" shupe amon^ to-
of an expert milUijer. however, youi^y^ plotur^d models, but there#* a
<*naaTJ<*qrftir wrD|g pirktfifii ofitifg^nrttKyi'^IJcWt'thfs hat that wllhap-
" , UUWII 11* liiu fUi a UIIU n JH ww
* ; locks shoWna at either side "fovea a
t curiously bal(ll^dggiC#tiAn'i<Vlts|,'H,anir
—as though tlit> hat baA befcn^plofjjicd
" 1 ' ftvrr .1 uVinvnrt nn)1
1 this winter's hats. There are few. un-
becoming models—in i<hapca at Ifeiigt.
Color Is another matter but most oi
'I tho dark or neutral tones ure UecBrn-
! ing to all fa«.;es. The winter h4tsjpre
so soft of lino that they frame the
j face moot Jlatterlngly und It makes
| small difference how you do yo^r'WHjr.
; since all hats come- faV down ima
j hide the hair. One thing is important,
{however, you must wear soft Jtajae^
i of hair over your ears! ThisilirtKa
! only part of the coiffure that stoWi-ss-
i and one of the new hats dragged
down to the ears and with no soft
\ locks «ho%-fn& at either side foves a
^[wpanjr
looted
over a shaven poll.
} You will notice in every one of. the.
, hats pictured today this softness of
outline. Even when a block* d frafijr
; Is used, the hat material is draped po
i mftly over It and the line of the franiA
is so Indctcrniinato that no harsh
angles are ev4ilonJ. TrimmingH fol-
low the genehal line of the hat. iSir
lnstanjte, the paradira father tha,t
sweep# away under the brltri of fhe
roll brim sailor; its slant id&ntirtt
with the slant of tho whole haU " t\n'd
the mad wings, flattened bru k a5aln.1t
the turned-back brim of another fiVh;
the wing at the left side curving v>tit—
ly with a curve of the brim and fal-
lowing Its contour. In the- featlier-
trimmed models tho feathers fpiJow
the lino of the hat nr.d do not depart
from It, nestling softly npainst .U«lr
background; and tho cno stiff hat of
the group—the turban with a peaked
brim—is ' aoffTcd by a gracefully
drooping feather tlrnt follows the
elongated'line across the top.
All Kinds of l'luinngp Uncd.
J! You see, all kinds of feathers are
terlngj
greeni
a small bow at the back.
peal to'yo^ng women with a da |i(ng
Inclination in dress. The turban is
elongated from side to side and Is a
CBdilidqatlori of the popular marquis
ikape.i-i. -J"".
Hats Off tin- Fare. \
, JV'omen have found I'.:0 turned-back
orfm effects so becoming that they re- I
lured Uut not one of tho«e turned-
back hats really alnnts directly back
from the face—which would bo a sad-
ly unbecoming slant for any woman.
The brim rhvnys slants down and out-
ward a bit lirat, where it leaves tho
crown and then rolls tip froin this
point so that tho hat projects a trifle
over the face, casting tho shUdow tlu<t
Is indispensable to becomlngness. If
you rip apurt any turned-back hat.
yOir'Wfil find this double slant of brim.
The roll-brim sailor, simple as it t«.
acquires distinction from jits handsome
paradise feather which sweeps aw.iy
under the brim where it U fastened on
with a cord ornament, Thiq lift I.*)
bUtrJt and is very chic wlth\a black
crepe de chine frock and one df those
wee choker collars of ermine that are
tho latest idea from Tails. Yon cftttld
not imagine a more simple little hat,
yet the model is one of utmost dis-
tinction—and no little expense, The
wlng-trlmmod hht, is of black velvet
with rich shadings of taupe and cor.il
pink In tho wings—or rather wing, for
the plnmage Is all in one strip, draped
and bent to follow the lino of tho hat-
brim.
A Total ftrlni
The two large hatr. pictured aro
quite different In type yet each Is au-
thoritatively smart for this season.
One hat has a turned-back brim and
tho feathers In front; the other model
has a brim turned up at the back and
trfinmlng _ at the back. The coq
fuse to givo them up. and the style | trimmed hat has an interesting treat-
Is very evident In winter millinery, ment of brim facing. The velvet Is
•tyiflee turn ad-back models oro pic- | cut or.t In large petals which are rord-
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I3"lacK_ ClrLa.r^Lilly'/Tlu.'ULe'PS Over3
.^Tm.a"ltiTci-ipb«aYX
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■Xi.fxiiy
"YTh.o-a.Te.ctiLKer^s Tollow "Each',
OVh-eT5. A:poar).d LilAle. TCcmbarv.^1
el at the edge and these velvet petals
are stitched against the (l it brim-fac-
ing—also of velvet. The hat is In a
most exquisite shade of gray-blua vel-
vet shading in the shadows to navy
l)lui>, and the coq feathers which tum-
ble forward so gracefully are I11 soft
blue-gray. An enchanting hat for a
rL LiUl
:o
1IIERE are enormous possibilities
In tho neckwear of autumn. Hp-
gaWIng a fluffy bit of prettlness run
'iin' the neckwear
02^T\ep<3of
(To tasHv^v . s
Q)
simple blouse of cream" batiste and I ends at the-:
the effect H excel!, nt. The blouse Is j AnoMn r 1
with hand-made pl'ntncks nr tlie
counter, you. shoulder and tho seams of ermhole
Immediately visualize the lovely blpusc and shoulder were beriMtitched by a
,,itcc.n so eafe\ly become a part of—®ll | professional—-the only hit of inarbliie | rront ed*v
ygu need ,to achieve the creation is a I wo,|. on lho p:iril 1(,nL ,, js even I effect is...
•Ottdto i<nd thread, and a yard anil a | ousier to inakt* a kimono Mouse and'collar with it
half of sheer fabric. It is tho easiest, oa ,his you otl(, of
K
|^)lng, ip; the..world to concoct a per-
j^otiy ravishing blouse when collar,
Vest and cuffs are all ready to bo
tacked to a simple garment, that any
woman with a spark of ingenuity can
swtun l. get tier.
laco collars, with straight cliffs of 11.? '(his Is on.
lace 011 the elbow sleeves. A squu.'P | sn Jo Is l;a
laoo collar with matrhinpf cuffs I"
shown in a picture, the lace set add-
ing a dainty touch to a dark velvet
frock. The square lace collar has a
f new neckwear p'c-
tured n the vest"e and eton collar
combinatii.n. lAVitii a loose jacket, or
a bodice that dops not meet at Ha
tfi: * eton-vest co Is most
in; demure, turned down
ack cravat bow haft a
square, j very youthful suggestion and perhaps
reason why this neckwear
nr. such a vogue. But the
t r.i irht. \ e.
must hang straight. be-
There b* the Jabot gnimpe. for In-. narrow hemstitched hem at the top
stance, a fluffy frill attached to a j and some young woi >r.i run black
sirylgUt. front panel—or a double | velvet ribbon through this tiny hem,
plipef with two frills—and a graceful
collar turning over at the top. Usual-
ly you can pick up cuffs to match,
Qrie of thene. Jabot frills, |n pale ebru
Bhtiste wHh crefcm filet edging collar
, H'llBjbgcn attached to a
I
U,
1
;
Be Sure and Adjust tour Face Veil Right
—J? j>
IHV'.
w-;V..
_
KILS are not worn over tho chin
this year, or rather, drawn doiyn
tinder the chin land pinn^jl
smoothly back behind tho heSB
as they were last season. I^ook at tAe
next pretty, smartly dressed woman
,you meet and note how her face veil
jls arranged, ita lower edge comlnsr Jia t
'below the tip ot her nose and the veil
fluttering rather loosely Instead of lin-
ing pulled ,badk closely against l lie
features. A face veil drawn down tight-
:ly and closely under tho chin and
around the neck may be moro trim
Und tldv—to your personal taste—but
the efffft Is not smart or modern 3uet
tiOW! and will take away from the
general modlshnesa of your appear*
Wl&kP: ■■■■ %
j There Is great favor, this autumn,
ifor while or flesh tinted face veilings
nfcl^d with very tiny black chenille
>ou.
I.
the ahopa «r« charging two dol-
laca a yard for them atid a dollar-and-
phaif is the ftast price at which you.
fiin plcJi^V oairiiff these veilings. But
lfeh^ 'Birent on * veil is always well
|^>ent. N"o Item of the cost umo Is
Wore conspicuous than tho wisp of
kbrlc Which goes directly over the
VLgftge. ami no Uem counts moro in
iBccpnttngtioJte or the reverse. So buy
K good veil and adjust It 1% tho very
)M«M modo. /
Biiirk veil* Of sheer mesh have also
jfloUl *Ml scattered over tho aur-
t ee,:but they nre not as becoming as
Ihe black-dotted ■white veils, or the
Aosh tinted "complexion" veils with
hhjr black dots. Taupe veils nnd
brown veils-—also In groat favor—are
usually of flne mesh with a delicate
hand-run deslgu Instead of a dotted
J£
These veils are so fashlorrabWtfrftftern.
(
* \
and tie.a small bow
very lony
tmm
■ twii'V/Kare
young wc in with deep blue eyes!
The other largo hat is of brown vel-
vet with nestling feathers In the same
shade—the new walnut brown of th s
season. There are two thick ostrich
feathers, put on at either side, the
quills pointing toward the front and
the tips of the feathers curling for-
- ■ ■ - ; - - - \
eton-vestee is the nilet, a combination
of collar and blouse front which some-
times is attached to a sleeveless
gnimpe so that It will set smoothly un-
der a loose Jacket. There arc gUH'S
in quife elaborate style;- some are of
rich, ) rocaded ribbon combined with
nietu/ thread enihroi.lery. others are
of lace and tucked net. A pretty pilot
for wear with a dark blue suit is of
ward over the quill part and over the
low hat cross n.
The gem of the wh'.V e-d'cot'.on--
the adorable little feather turha;t is
left till the, last :'o lhat it can be con-
sidered with special attention. No
protilgr little lt.i is likely to bo se< tt
this winter. There a re Use ostrich
let's and each Is set on under a
jet button; and all the feathers
•mingle su that the entire ha' Is
fd and the feather ends fall
t'.'lcs and hack, leaving
• of tumbling plumage.
ci<. tho almost hidden
•inj of black velvet.
: ea
.'lit
Int.
c..s
gracefully at
' ii -• fa co r 1. '
'fit i - hat i:\ i
turban part J
mm:;
f Utfrb '
'■e'.rfv'
A ■ -: '
Elizabethan ItutTs Are Itotumin#—llils
One Is Of Scalloped And 11cm-
•tllched Net. t ,4 ...
The Eton Collar And Vc.stoo Are
Youthful. Thrrrfarn Popular; And
Eyelet laubroidery Is A Favored
Fabric.
tween loose Jacket or bodice fronts
to give the correct effect. Allover eye-
lot embroidery in pale ecru was used
for tho pictured set nnd the tailored
Jacket and skirt are of dark brown
duvctyn, Mpro elaborjito than tho
Square Yoke Collar.1! Tliat Fasten In
Hack Are Effective ()u Velvet Frocks
And There Are -Matching tulTs For
Elbow Sleeves.
belgo and navy nut hemstitched to-
gether. Tiny loops of navy silk cord
edgo tho turnover collar and a tucked
panel that forms t hte front of tho gilet.
Then there is the modestie, a filmy
little contraption which fits around
the shoulders and fastens at the back,
tilling In a too-deoolloto opening In the
blouse front. Not a great deal of the
modestie is supposed to show—just a
line of dainty white as a finish to the
bodice Which might otherwise bo too
severe in Him; at tho neck, /perhaps
the blouse front may be slashed out
in n deep oval on rectahgld that
reaches almost to tpo waistline and
tno w _ _
then the modestie looks like a dlmfau-1 tlie most of low-necked effect this'done u'p the;i- look "Ju'at Tike new"'
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The:.
>'. r d
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for it, :;t se.uton. you may. l
ss luilel.oti■■ 1 stock collars fas-
! a, 1. v. i:h littlo pins- -
At' . r.i10 some of ttie
Mutiny tall, transparent
i-,>2rriit yokes in tho
frocks .ml nipny French
tcty ht*h clo^e coHarx
lo tt'.'.ek cravats. They
!:c: . ffwet in Paris and
or t'lt^i ;tre Inserted I11
■ a it 'collars and bodices.
"atiji pleatings which
< wiring fit the bat k of
•.rdltigg" of b'a.k <#t-n
. AtVUr^r.' and of box
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.it ni:
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With The Street Suit Slit W'rs-s "*.iie'
Linen Neckwear And Cull* Hatn;;- (
lied Willi Hand I[cmxlUlilng.
tive vcslce. You can get "* '."sties
with square, oval or roundel nc.;k-'
lines so that any style of Io.Mce may1
>s\ 11
t)1
- o <; 1'.
be suited and It pays to keep these the rou" >.i
adaptaWe little neck finishes in muid blp. rrae...*
when you try on a ready-made fiook. T:;'> in'., at
High neck ruffs, known in o'her mttts 11 : t
days as Elizabethan ruffs, are faah- inn! 5• c
ional lo in Paris now. These tali ruffs Separate
are made of pleated not. of wired Ince. tntlorod •
of feathers and even of fur. They and narrosr.
clve a great effcct of dignity and state- far o> er the
liness to the wearer, but they «bso
lutely spoil the lino of the thipat ajid
in fact make some throats far too
clumsy and chunky for grace. Oniy
the woman with anions, slander. m = -
like neck should Indulge in an Kilrn-
bethan ruff, f:ishionab> u Purt* a
making the style. The nf? «n •>«
picture has a pleated frt'! >■ f
net over a frill of boifis;*, ihi>d v.*\ and j
stands up softly yet c^riijpir it.v:id
throat.
Paris is making a determined error;
t .1 cuff 3C*s for Indoor wear
t .. 1 . haii'lkerehief linen
:'.i Ir.ci lace .and of tucked
"1.;. liiith crochet lace.
. I... lir.i'c frocks of gray
. coll r and cuff^ of sheer
l.ti 1 <•.; t e daintiest affairs
a" ' a'l .ntcr wear indoors.
.•a a ... id collars of hand
1 r. .. ''oen n ro Worn with nr-
1 . ' i Windsor silk ties at
.i I'lou • of silk or velvet. An
« costume is of lea f
svilli straight skirt and
lee. t'tr.i" blou«e tied svith a
-It v ,t'ie^ ip. The nek of 'he
la well rounded out and fln-
• • i: h . tie if these turned dewn
of < iv.ui V. nl.se lace, tho
I lino of thn collar following
neck line. In front Is >«
y 'ie'l bow of brov.n silk.
I a id artistic effect Just
te of the rieli yet Infor•
•'luttie.
cti'.nrs for wear with
•-'<) aro almost all l^nr?
Tho collar doe* not turn
vd ;e of i'ie co t*, i.ut It
tut ns over ; he edgo almost down
tho Tvuiat. These cont collars are of
handk^r.-hlcf linen eiirved with nir-
ro<v real t'l'.u lace, or of plain hem-
sr'.rc lo d lav u. Fine linen Is the cor-
'fet fabric for aetttrua coat collate
cuffs—ofv.rdy is a bit too scm-
:t- : > ior this :if.i<ten. and linen Is far
t-. :e • xelu.s ve on/way. A coiar in I
.• jrf ."t nf >5hvt.'f linen will launder if
-• "oct ion and the pieces svill a'ways
their cr.icfft:! shape. i:\pp>t
. andrei'scs knf;\v h0sv to plf>at an 1
to bring back high neckwear, so 1 Tints these bits- of finery so that when
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Sherman Daily Democrat (Sherman, Tex.), Vol. 40, No. 107, Ed. 1 Saturday, November 27, 1920, newspaper, November 27, 1920; Sherman, Texas. (https://texashistory.unt.edu/ark:/67531/metapth194151/m1/2/?q=%22%22~1: accessed July 17, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu.; .