Concentrations 36: Annette Lawrence Page: 3 of 3
This pamphlet is part of the collection entitled: Dallas Museum of Art Exhibition Records and was provided to The Portal to Texas History by the Dallas Museum of Art.
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C O N C E N T R A T I O N S
\nnctte Lawrence ,born in IRok tlic l..s nr. \c 'hork, ')(-
EDUCATION
1988-90 laserr of Fine Arts, Hoffberger School of
',inting, Maryland Institute, College of Art,
"altimore
198 7 -88 ;raduate study in sculpture, College of
reative Arts, West Virginia University,
\ lorgantown
19 8 2 -86 Ibachelor of Fine Arts, Hartford Art School,
'niversity of Hartford, West Hartford,
I onn.SELECTED SOLO EXHIBITIONS
2000
Transparent/Opaque, University of Michigan
museumm of Art, Ann Arbor1999 -first Dance, Dallas Visual Art Center, Dallas
1 998 Innette Lawrence: Installation, African
\merican Museum, Dallas
Recent Works, Bag Factory, Johannesburg,
south Africa
.ineage, Gerald Peters Gallery, Dallas
1997 Con Text, Women and Their Work, Austin
1996 Same Way Gerald Peters Gallery, Dallas
1 99 5 ,sme Way, Art Pace Center for
Contemporary Art, San Antonio
SELECTED GROUP EXHIBITIONS
1999-2000 Street Lift, Project Row Houses, Houston
1999 .''xas Paper, The Gallery at University of
cixas Arlington
)ther Narratives, Contemporary Arts
museumm, Houston
199 7-1998 trt on Paper, Weatherspoon Art Gallery
L'NC-G, Greensboro, N.C.
1997 Finders/Keepers, Contemporary Arts
Museum, Houston
S997 Biennial, Whitney Museum of
\merican Art, New York
1996 Texas Collection, Modern-Postmodern,
The Museum of Fine Arts, Houston
1995, 1998, 1997, 1998
link, Gerald Peters Gallery, Dallas
199 5 [e-Collections, Project Row Houses,
Houston
AWARDS/GRANTS
!nior Faculty Research Award, University of North Texas, 1998
skowhegan Camille Cosby Award for African American Artists, 1996
',allas Museum of Art Awards to Artists, Kimbrough Fund, 1994
\rt Matters Grant, 1994
ultural Arts Council of Houston Artist Award, 1994
'ore Fellowship, Glassell School of Art, The Museum of Fine Arts,
i louston, 1993
Patricia Robert Harris Award (Fellowship), Hoffberger School of
Painting, Maryland Institute, College of Art, 1988-89/1989-90
ARTIST IN RESIDENCE
University of Michigan, Ann Arbor, March 2000
"rdsburg Artists' Studios, Johannesburg, South Africa, lunc-August
',,using .Authority City of Houston, Project BRID(GE. Houston,
'92-1993
he Community Artists (Collcctise. Houston, November
',0( larch 1001SELECTED BIBLIOGRAPHY
Cantu, John Carlos. "At UMMA String Theory in Practice."
Ann Arbor News (April 2, 2000), 3E
Friis-Hansen, Dana. "Other Narratives," in Other Narratives.
Houston: Contemporary Arts Museum, 1999.
Graves, Jen. "Family Matters." Denton Record Chronicle
(January 15, 1998): Entertainment Chronicle, 3.
Kutner, Janet. "Times and Tides." Dallas Morning News
(March 19, 1997): 1C.
. "Annette Lawrence at Gerald Peters Gallery."
ARTnews (April 1998): 184.
Phillips, Lisa, and Louise Neri. 1997 Biennial l v/hibnion. New Y'rk:
Whitney Museum of American Art, 1997.
Weinstein, Joel. "Annette Lawrence: Afru .n iAmcric.
Museum." ArtLies (Fall 1998): 52.
"Mixed Media Artist Has a Line on the 1 ph I rcrll.
Dallas Morning News (May 27, 2000): i.
CHECKLIST
Untitled, 2000
String, brown paper, rape, and glue
Site-specific installation for the Dallas Museum of Art's Northeast
Quadrant Gallery
Approx. 15 feet high x 30 feet wide x 30 feet long
Courresv the artist and Dunn and Brown Contemporary, Dallas
ACKNOWLEDGMENTS
This exhibition was made possible by the dedicated work of the
following: Annette Lawrence's assistants Brian Wheeler, Justin Adian, and
Jennifer Pepper; Doug Velek, Heath Bessire, and Phil Armstrong, of
the Dallas Museum of Art, who assisted with the installation; Lisa
Hirschler Brown and Talley Dunn, Dunn and Brown Contemporary,
Dallas, who provided necessary information and support for the proj-
ect; and Cheryl Hartup, McDermott Curatorial Assistant at the
DMA, who coordinated the logistics of the installation and saw to
other crucial details. My greatest appreciation goes to Annette
Lawrence, whose way of conceiving of the project was as direct and
clear as the final result is mysterious and complex. She deserves all
our thanks for her ingenious working methods and for the chance to
live with and within her work.
14m lAll image, s n.r " '(00 A(\nntc I ..n ,rnnc.
The Mu tunm I iupportcd in parr In the gcncrosit\ of 1 )\A
members and by the citizens of Dallas through the City of Dallas.
Season Underwriters are Anonymous, American Airlines, Linda and
Bob Chilton, the City of Dallas, Communities Foundation of Texas,
The Dallas Foundation, The Dallas Morning News, the Dallas
Museum of Art League, The Hoffman Family Foundation, Barbara
Thomas Lemmon, Mr. and Mrs. Irvin L. Levy, The Edward and
Betty Marcus Foundation, Howard E. Rachofsky, Deedie Pottcer and
Edward W. Rose Ill. Mr. and Mrs. Charles Seav, and Southwest
Airlines Co.11 \oN rth iar I , ,d
)Dallas, Texas 7520136
Annette Lawrence
Maiy 18-A'ugust 6, 2000I
m
DALLAS
MUSEUM
OF ART
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Dallas Museum of Fine Arts. Concentrations 36: Annette Lawrence, pamphlet, 2000-05-18/2000-08-06; Dallas, Texas. (https://texashistory.unt.edu/ark:/67531/metapth307637/m1/3/?q=%22%22~1: accessed July 13, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu.; crediting Dallas Museum of Art.